To put it bluntly and boldly, “0,1,5” is as close of a work as I could possibly come to composing twentieth century music… without actually composing twentieth century music (in order to preserve my sanity, for lack of better terms).  

“0,1,5” experiments with duel elements of twentieth century serialism (i.e. the use of Schoenberg’s twelve-tone system), yet the work still maintains sense of tonality and “more desirable” content.  Therefore, the idea is that these two contrasting musical ideas juxtapose one another and butt heads throughout the work.  The “0,1,5” represents the atonal clock system with the first three notes of the piece, where 0 represents “F,” 1 represents “F#,” and 5 represents Bb.”  These three notes are heard in variation throughout the entire work.    

So while there is a system of chaos and dysfunction (twentieth century musical elements), the unseen rules of organization work their way in to balance out the chaos and create a sense of structure (eighteenth-nineteenth century musical elements).  A term to define this would be “controlled chaos.”